Kahlil Joseph: Double Conscience is MOCA's presentation of Kahlil Joseph's m.A.A.d, a double screen projection that is a lush portrait of contemporary Los Angeles. The camera sinuously glides through predominantly African American neighborhoods, pausing to capture quotidian moments—driving in a car, a marching band, the barbershop—that are suffused with creativity, joy, and sadness. The split screen divides the viewer's attention, and alludes to the history of auteur cinema—a form of filmmaking pioneered by French director Jean Luc Godard—which sacrificed linear narrative for experimentation with the formal and political possibilities of filmmaking. m.A.A.d extends this tradition of formal experimentation by crossing the wires of music videos, amateur film footage, and moments of magical realism. The two-part projection may also slyly evoke philosopher W.E.B. Dubois's early twentieth century concept of "double consciousness," a psychological description of Black life in America. The film's verbally dense and thick booming soundtrack, provided by hip-hop artist Kendrick Lamar, adds yet another layer to this prismatic account of contemporary life in Los Angeles.
Director / Editor / Eliot Rausch Producer / Preston Lee Co-Producer / Christian H. Clark Woman / Barbara Williams Husband / Harwood Gordon Cinematography / Chayse Irvin 1st AC / Jake Bianco 2nd AC / Elver Hernandez Associate Producer / Adam Litt Steadicam / Conner Vandeer Gaffer / Cody Jacobs An Über Content Production
Director / Editor / Eliot Rausch Producer / Preston Lee Executive Producer / Phyllis Koenig + Mark Schwartz Young Boy / Jonathan Woolsey Young Girl / Caitland Woolsey Cinematography / Chayse Irvin 1st AC / Jake Bianco Steadicam / Brandon Whiteside Line Producer / Adam Litt Location Scout / Jeff McSpadden Composer / Adam Taylor An Über Content Production
Special Thanks Jim Roudebush @ Panavision Richard Pilla & Tony Blue @ Paskal Lighting Funk Brothers